Just Thinking, That's all.
Jan. 7th, 2004 03:34 am![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
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It's actually been a very meta week, but I haven't been talking too much about the things I've sudden;y realized and stuff in my LJ. Bad Chelsea!
So here. I'm thinking about revision. Bear gave me a new quote about art and writing: "First draft is a pencil sketch. That's all. You can fix, revise, alter, add, layer, erase people entirely. You don't have to get it right right out of the gate.
And even once you lay down the oils, you can still paint over them or squidge them around."
So yeah, I'm thinking about revision, and I think that metaphor works as a way to argue it. I get the first draft down, and then it's time to revise. I'm thinking that there isn't really a general step by step method to revising a story - that you can only learn how to revise this story. But there has to be some things that always happen when you're fleshing out the sketch you made in the first draft.
one thing that always happens is that I find sentences to fix. better ways to word things, repetitions to cut, stuff like that. This is a last step thing for me but really I'll tinker the whole time I'm revising, just as soon as I see something that needs changing.
If I have feedback on a story then I will try to figure out what out of the various opinions I should take a closer look at, and try to determine what people mean if it isn't immediately obvious. I tried something that seemed to work for using reader feedback - I grabbed an excel spreadsheet and every time a reviewer said that they were confused by something or had to question something, I wrote it down and tallied how many people had the same question - and how many people mentioned that they caught that plot point. Then I can see which issues are really important, and think of a way to fix or clarify.
It was really good. I had some questions that after it was done consolidated into a larger issue, I found some good solutions to those problems.
something else I do is a scene by scene examination, I check to see that the scene is complete, and that it does things to keep the story moving forward, and I check to make sure that each scene is linked to the one immediately before it, and the one immediately after it, at minimum.
Then there's the little things. Picking things out of the story that are symbols of the story. things that parallel each other. repeating motifs. This one's a little harder for me but I keep working at it.
And then there are details. I'm sometimes really terrible at details. I'll get a couple in on the first draft, but I always need more.
then there's the stuff that you do when you've got most of it blocked - the refinement of the sentences, and how they flow and inform from one to the next. omit needless words. something that was bugging you about the plot jumps out at you, and so you've got to shoehorn it in. omit needless words. an opportunity to get yet another motif repetition presents itself, so you grab it. omit needless words.
And then you walk away and don't look at it for a while so you can forget, and do something else. and then read it again, and see if you've learned another thing that will improve the story. I find that there usually is.
Did I Miss anything?
Well, other than a silly meme. Nabbed it from
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